The Russian is left back. They find him just outside the drainage system, and he takes down as many cops as he can. It's not what Matt wants, but Matt is too tired, too sore, too damaged to do anything. He can't.
Claire fixes him up. He manages to get home and Claire fixes him up, though she writes a quick text for him to Tim and Foggy.
I'm okay. Stay safe.
Though with Tim, he adds I'm sorry to it.
He spends two nights recovering, meditating to cure his wounds faster, to block out all of the pain. It's not much but he keeps Tim in the loop--that he's fine, that nothing happened, he's just busy. It's a load of horse shit and they both know it but Tim was there, Tim was ready to shoot, and Matt can't stop replaying what he overheard again and again and again.
Wilson Fisk publicly defends Hell's Kitchen. Comes out of hiding and plays the good guy, paints the devil of hell's kitchen a terrorist. Matt throws his laptop, tries to figure out what to do, and winds up using the voice-to-text feature to get Tim's attention:
no subject
Claire fixes him up. He manages to get home and Claire fixes him up, though she writes a quick text for him to Tim and Foggy.
I'm okay. Stay safe.
Though with Tim, he adds I'm sorry to it.
He spends two nights recovering, meditating to cure his wounds faster, to block out all of the pain. It's not much but he keeps Tim in the loop--that he's fine, that nothing happened, he's just busy. It's a load of horse shit and they both know it but Tim was there, Tim was ready to shoot, and Matt can't stop replaying what he overheard again and again and again.
Wilson Fisk publicly defends Hell's Kitchen. Comes out of hiding and plays the good guy, paints the devil of hell's kitchen a terrorist. Matt throws his laptop, tries to figure out what to do, and winds up using the voice-to-text feature to get Tim's attention:
I want to hear you. Come over?